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Portishead |
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When you have a CD collection as big as mine, CDs are bound to disappear here and there. Such is the case with PNYC, which I still have the liner for but no album. Furthermore, the music is, with one notable exception, almost exactly like the studio versions. Meaning that there are only two things that could induce me to spend another $12 on something I already bought: the desire for a complete Portishead collection, and the stunning, apocalyptic live version of Sour Times, which proves once and for all to any naysayers that Elizabeth Gibbons is capable of sounding passionate about something.